Stream These 10 Titles Before They Leave Netflix This Month

A sci-fi classic, an iconic crime flick, two satisfyingly goofy comedies, and an Oscar winner for best picture are among the movies leaving Netflix in the US this month, along with a handful of American favorites. cult and a huge hit from a recently deceased director. (Dates indicate the last day a title is available.)

Dreamworks’ “Dragon” trilogy is often overlooked in the contemporary family entertainment sphere (thanks largely to the behemoth Disney/Pixar), but this family adventure series is terrific, cleverly written, superbly acted and tells with an all-star cast (including Jay Baruchel, Gerard Butler, Craig Ferguson, America Ferrera, Jonah Hill and Kristen Wiig). The most successful installment is probably this sequel, nominated for an Oscar for Best Animated Feature, which deepens the bond between the Viking boy Hiccup (Baruchel) and his dragon, Toothless, while adding the considerable seriousness of Cate Blanchett in the role of Hiccup. – lost mother

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During its long run as part of NBC’s Saturday morning lineup, “Saved by the Bell” was mostly a joke, easy shorthand for goofy tween entertainment, recounting the adventures of know-it-all Zack who break the fourth wall; his best girl, Kelly; and his friends Slater, Jessie, Lisa and Screech. But there’s no denying the easy charm and considerable scope of the series, not to mention the affectionate nostalgia it elicits among ’90s kids. Netflix is ​​releasing its “Saved by the Bell” collection, which includes the entire original series. , as well as the one-season spinoff “The College Years” and the feature films “Hawaiian Style” and “Wedding in Las Vegas.”

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Ridley Scott’s 1982 sci-fi action classic was years ahead of its time, a hybrid of high-tech adventure and film noir, featuring Harrison Ford as a detective in a dystopian Los Angeles hired to hunt down rogue androids. A critical and commercial flop when it hit theaters, “Blade Runner” was released in a compromised version that Scott kept tweaking and revising until his 2007 “final cut” received a wide-scale theatrical release and all the praise it deserved. . In his 2017 big-budget sequel “Blade Runner 2049,” starring Ryan Gosling with Ford reprising his role, director Denis Villeneuve wisely doesn’t try to mimic Scott’s distinctive style. Instead, he crafts a melancholic, fear-filled narrative that follows his own rules.

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If you’re not paying close attention, it’s easy to miss all the iterations of various superhero icons being shown on screens big and small. Take, for example, this five-season Fox crime drama that serves as an origin story for the Batman universe, minus the Caped Crusader (although it does start with the murder of Bruce Wayne’s parents, and young Wayne is a character). regular) than for future Commissioner James Gordon (Ben McKenzie), seen here in his early days as a Gotham City police detective. The real fun, however, comes in the appearances of the notorious Bat-villains in their earliest forms (including Catwoman, Riddler, and Harvey Dent), as well as juicy supporting work from Jada Pinkett Smith, Morena Baccarin, and Michael Chiklis. .

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Ben Affleck pulled off an impressive turn from actor to director when this inspired blend of political thriller and showbiz satire won the 2012 Academy Award for Best Picture. Affleck also stars as Tony Mendez, a CIA agent who devises An ingenious woman schemes to get six American diplomats out of Tehran during the Iran hostage crisis: she makes up a fictional “Star Wars”-style sci-fi movie, poses as its producer, and tries to get the Americans out of smuggling as members of the film crew. Based (loosely) on a true story, Chris Terrio’s witty screenplay draws both the comedy from its Hollywood thread (with laughs courtesy of John Goodman and Oscar-nominated Alan Arkin) and the tension from its gripping escape sequences.

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Clint Eastwood became one of the most iconic characters in modern cinema with this skinny, mean cop movie from celebrated director Don Siegel. Eastwood plays Harry Callahan, an inspector with the San Francisco Police Department who is on the trail of a psychotic serial sniper known as “Scorpio” (inspired, not too subtly, by the Zodiac killer). The first of a five-film franchise, it’s a tightly closed procedural, executed by Siegel in his usual style, as well as a fascinating sociological document – an artifact of culture warfare, embodying a reaction to recent changes in policing and prosecution. . .

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The Farrelly brothers made their film debut, and Jim Carrey had his third hit in a single year, cementing his status as a comedy star, with this 1994 buddy comedy hit. Carrey and Jeff Daniels play Lloyd and Harry, two Absolute idiots getting mixed up in a kidnap and ransom plot. The jokes are more than ample, the slapstick is downright painful, and the vulgarity goes way beyond the limits of a PG-13 rating. But it’s all done with such manic energy and gonzo bravado that you can’t help but laugh, and the performances from Carrey and Daniels who take no prisoners are thunderous and inspired.

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Dumb and Dumber director Peter Farrelly went on to helm the Academy Award-winning Green Book, a turn in his career as unexpected as the multiple Oscars later awarded to Todd Phillips (for Joker), who broke out Go big with this 2003 frat comedy. Vince Vaughn is at his fast-talking best as a perpetual party animal who starts a frat, despite his advancing age, mainly to cheer up his recently single friend (Luke Wilson). But Will Ferrell steals the spotlight from him as Frank “The Tank” Ricard, a tame family man who finds his youthful habits of binge drinking and late-night going out reawakened by his new arrangements. .

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The recent passing of crackerjack genre filmmaker Wolfgang Petersen makes this a good time to revisit one of his biggest hits. Based on the book by Sebastian Junger, it tells the story of how the crew of the commercial fishing vessel Andrea Gail was lost at sea in 1991, during the historical weather event of the title. That horrible storm is portrayed through stunning special effects and immersive sound, but “The Perfect Storm” is more than just a show. As he has throughout his impressive career, Petersen takes the time to invest in his characters and set the human stakes of the story, and is aided considerably by an all-star cast that includes George Clooney, Mark Wahlberg, John C. Reilly, John Hawkes, and Diane Lane.

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Matt Damon turns in one of his best performances, at times desperate, sexy and chilling, in this top-notch adaptation of Patricia Highsmith’s novel. Damon plays the title character, a cunning con man who uses a fleeting case of mistaken identity to ingratiate himself into the sphere of the rich and beautiful (namely Jude Law and Gwyneth Paltrow) and stay there at all costs. Director Anthony Minghella carries off the drama and suspense with aplomb and deftly orchestrates the excellent cast, which also includes Cate Blanchett and Philip Seymour Hoffman, a memorable weasel.

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Also leaving:

“The Vampire Diaries” Season 1-8 (September 3); “Nightcrawler” (September 9); “Boogie Nights,” “Catch Me If You Can,” “The metal jacket,” “I’m legend,” “Bad Girls,” “Seven,” “Taxi driver” (All September 30).

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